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Posts Tagged ‘Somme’
The Time Team Special dig at Mametz – the evolution and structure of the project behind the search for the Livens Large Gallery Flame Projector
Over the past few days Channel 4 have been showing trails for Thursday’s Time Team Special entitled ‘The Somme’s Secret Weapon’ and I have seen hits on the various articles on my website rocketing. I am heartened by the interest, and having seen the longer two-hour version of the film at a special event on Monday night at the Royal School of Military Engineering at Chatham I am confident that the visual impact of the film will attract plenty more interest. It is surely one of the most intriguing – indeed almost unbelievable – stories of the war. I have noted that many people are searching for the location of the dig site and I thought it appropriate that interested parties should be aware of the birth, the evolution and the structure of the project.
Initial stages
The idea of searching for the flamethrower was first mooted in 2005 when Peter Barton and I were working on our Somme panorama book. The book, now revised and back in the shops, covers the battle in its entirety but includes a lengthy section on the extraordinary story of the use, mis-use and lack of use of a considerable network on shallow tunnels dug under No Man’s Land by Royal Engineer Tunnellers in preparation for the opening of the battle. They were known as Russian Saps.
The Somme - the unseen panoramas by Peter Barton with Jeremy Banning. Published by Constable & Robinson.
In certain sectors on 1 July 1916 they were not used to their full potential whilst in the southern part of the British line the tunnels, terminating close to the German front line and integral dugouts, contained a variety of schemes to neutralise the enemy. These included substantial mines to destroy strongpoints, smaller bored charges to blow in dugouts, manholes close to the German trenches for the swift deployment of attacking forces into the line, trench mortar positions and machine gun emplacements emanating from tunnels in the middle of No Man’s Land, and perhaps most amazingly, huge flamethrowers for firing 100-metre jets of burning oil across and along German positions. The idea was to create a complex mixture of surprise and terror that would materially assist the British infantry to cross No Man’s Land and capture the enemy front line in a less molested manner than normal. It was the flame-throwers, however – the Livens Large Gallery Flame Projector – that seized the imagination, especially as they have received such scant attention in the mountain of literature associated with the Somme.
The projectors were almost 20 metres long, weighed 2.5 tonnes, and required a 7-man crew. Their placement in a tunnel beneath No Man’s Land was to attain an effective firing pattern some 50 or 60 metres from the German lines, and of course to keep their existence secret until the very moment of firing.
The Livens Large Gallery Flame Projector being tested at Wembley. Copyright National Archives. Reproduced with permission from NA file MUN5/385.
We knew that four had been planned for use on Z-Day. Two were deployed successfully from tunnels just to the west of the Carnoy-Montauban road whilst another was damaged and unused. The machine that really caught our attention was the one that was to have been fired from Sap 14 at a position in the British line between Bois Francais and Mansel Copse on the 7th Division frontage.
Trench map of the Fricourt - Mametz area dated June 1916. The tiny blue dot marks the site of the start of Sap 14 which was to house the flamethrower.
British (blue) and German (red) trench lines overlaid on a modern IGN map. The route of Sap 14 is marked by the red triangles. Courtesy of Iain McHenry using Linesman
The Special Brigade war diary showed that on 28 June the machine had been brought up to the front line along a communication trench called 71st Street by a party of around 250 R.E. and Devons (8th or 9th Battalion) but that heavy shelling of the area meant the parts had to be dropped whilst the men took cover. The most important parts were then picked up by the R.E. and placed in the entrance to Sap 14 for safety. However, this inclined entrance tunnel was then hit by a heavy shell which sealed up the end of the sap for 20 feet, ‘burying vital parts of the flammenwerfer beyond recall’. [Special Sections RE War Diary – ref: WO95/122]
Extract from War Diary of Special Section RE for June 1916. Copyright National Archives. Reproduced with permission from NA file WO95/122.
Preparation
It was this tenuous but enticing line in the war diary that was the catalyst for the project. Peter Barton’s knowledge of how the R.E. worked and the sequence of events subsequent to 1st July, combined with our archival research persuaded him that some of those parts would not have been recovered. His relationship with Canadian television producers Cream Productions was already established as a result of previous documentary work and Cream agreed to take on this ambitious and indeed risky project. Peter then spent weeks travelling between the UK and the Somme for myriad meetings for permissions and logistics – far too much to catalogue here but his workload was prodigious and the entire cheap tramadol online overnight project would not have been possible without this necessary but unglamorous work. On one of our first recces to the projector site we had a chance encounter with farmer Eric Delporte on whose land the old trenches and sap run through. After some initial scepticism he soon willingly gave use of his field free of charge, refusing any payment for ground rental or for lost crop yield on the basis that he owed it to the young British soldiers lying in the several nearby cemeteries. M. Delporte been the perfect host thereafter – a true gentleman and friend to us all.
Using trench maps and Linesman on one of our recces to the site. The village of Mametz lies in the low ground at top of image
To cut a very long story short, by spring 2010 the dates for the dig had been fixed – it would be the final three weeks of May. The project brief was to study Sap 14 and the nearby trenches, enter and survey the saps if possible, and to locate and recover parts of the 1916 Flame Projector if still in situ.
Map from war diary of 183 Tunnelling Company showing Mametz West secton. The flamethrower was to fire from the spur of Sap 14 on right of image. Image copyright National Archives. Reproduced with permission from NA file WO95/406.
The excavation was officially authorised by the French authorities and was under the archaeological control of Dr Tony Pollard and Dr Iain Banks of the Centre for Battlefield Archaeology, Glasgow University. We received enormous and invaluable assistance from the Historial de la Grande Guerre, the Préfecture de la Région Picardie, the Conseil Générale de la Somme, M. Stéphane Brunel and the Mairie of Mametz, Mines Rescue, Bactec International and the Corps of Royal Engineers. Most touching was the response of local businesses. As a result of visits by Peter with Francois Bergez (at present the acting Director of the Historial) they sponsored fencing, portakabins, water bowsers, digging machines, portable toilets, etc – all free of charge.
Archival research
I had carried out extensive archival work in the year before the dig, not only investigating as many files as possible with regard to the production, testing and deployment of the Livens Large Gallery Flame Projectors for the start of the Somme offensive but also the use of Russian Saps along the entire British battle front. Our colleague Simon Jones added further invaluable information to the database. I also looked into the subsequent use of the flame projector in September 1916 at High Wood and in front of Guillemont. The object of this intensive work was to gain a detailed understanding of the use of the machine but also to try and unravel how and why decisions were made on the use of the saps. I compiled a 65-page report including any mention of the potential use of flame projectors and saps from war diaries ranging from Army level down through Corps, Division, Brigade and Battalion and, of course the Tunnelling and Field Companies of the RE. Between Peter and I we spent months getting as well-versed in all matters subterranean as possible. Only by having this level of preparation did we feel prepared to start.
The dig – May 2010
The dig ran throughout May and was attended by hundreds of people – locals and battlefield visitors alike. The team adopted an ‘open house’ policy, and many people came to the site every day to watch our progress. On the second Saturday of the dig we had an official open day which was attended by several hundred people. Detailed presentations were given in French and English and we displayed many of the artefacts we had recovered. The results of the dig were spectacular and after three weeks solid work it was a tremendous feeling of privilege for us all to have worked on such a project and to have developed such close and ongoing links with many of the local people.
Finding out more
This post has been deliberately sparse with information on the dig itself for two reasons. Firstly, the international version of the film will not be aired until the autumn and therefore would not want to pre-empt this programme. Secondly, a huge amount of material will be on display in the forthcoming exhibition entitled ‘Breathing Fire – Le Dragon de la Somme’ to be held at the Historial at Peronne. This exhibition, curated by Peter, will incorporate a great deal of extra information, display the salvaged flamethrower parts, and (most surprising of all, perhaps) include a full-scale replica of the Livens machine. This is at present in the process of being built by metalwork students in Amiens. The exhibition will run from 16 June – 11 December 2011. An academic report on the Mametz dig by Tony Pollard and Iain Banks will be available in the next edition of the Journal of Conflict Archaeology.
How the Royal Engineers were persuaded to build and fire a working full-size modern version the flame projector is another story….but we thank and salute them.
Premiere of the ‘Breathing Fire’ documentary on the Livens Large Gallery Flame Projector at RE Barracks, Chatham
I attended the premiere of the Breathing Fire documentary on last May’s search for the Livens Large Gallery Flame Projector at Mametz (Somme) last night at the home of the Royal Engineers – Brompton Barracks in Chatham. Many of the team involved came from all over the country and it was good to meet up again with them and to catch up with the officers, NCOs and sappers who had been such an integral part of the dig.
A replica flame projector stands between the marquees
The Corps had excelled themselves once again and three marquees had been erected to provide appropriate cover from the rather unwelcome showers that greeted us on arrival. These also housed the bar, tables and a good deal of information on the dig site including photographs and biographical details of Captain WH Livens and his various weapons of war. To add an authentic note to proceedings there were several serving soldiers kitted out in Great War period uniforms. The most impressive element was a small scale replica of the flame projector (approximately 12 ft long) which had been buy cheap tramadol in uk constructed in the square. Apparently it had been tested and could fire flame 30ft but this was (perhaps wisely) considered a bit of a risk with so many civilians around and so remained benign all night.
Even the showers could not dampen the evening
After canapés and bubbly we all made our way (via the red carpet) to the auditorium and after welcoming speeches we sat down to watch the long, international version of the ‘Breathing Fire’ film. A break was provided halfway through with time for ice-cream and then afterwards a curry supper was provided.
The auditorium during the ice cream break
As the film highlights the skills of the Royal Engineers – in 1914-18 and nowadays too – it was well received by all. The evening was held in aid of the Army Benevolent Fund and was a resounding success with approximately 250 people attending. My thanks to all of those personnel who were part of the project and yesterday evening – it has been a remarkable experience to have been involved.
Update – 13 April 2011.
A detailed blog on the birth, evolution, research & structure of the Livens Flamethrower project with maps, plans and images can now be read here:
After much delay and waiting I am pleased to finally announce that the Channel 4 Time Team Special on our archaeological dig for the Livens Flame Projector dig at Mametz, Somme is to be aired at 9pm on Thursday 14 April. The working title was ‘Breathing Fire’ but C4 appear to have retitled it ‘The Somme’s Secret Weapon’. Details can be found via this weblink:
http://www.channel4.com/programmes/time-team-specials/episode-guide/series-6/episode-2
It has been edited down to fill a one hour slot (9pm – 10pm) – a mere 48 minutes of actual programme. I have watched the rough cut of the 83 minute version (for History Television and the international audience) and I thought it moved at great pace. It will be interesting to see quite how the editing team have managed to keep the story whilst cutting so much footage.
I am looking forward to seeing the long version of the film at the premiere to be held at the Brompton Barracks, Chatham on the 11th April and will write my thoughts next week after the event.
As ever, television can only give a tiny piece of the information gleaned in the research process. A detailed explanation of the use of the Livens Large Gallery Flame Projector can be found at the exhibition to be held at the Historial, Peronne from 16 June – 11 December 2011. Details can also be found in the revised 2011 edition of our Somme panorama book.
I subscribe to monthly emails from the National Archives with their latest news. Quite why, I don’t really know as I almost never read them but I am now glad that I did subscribe. For some reason I opened this month’s offering earlier today and was heartened to see that our new Somme panorama book was advertised. When I went on the website I discovered it was their ‘Book of the Month’!
Just a pity that despite the email using the new cover, the website below shows the old cover.
National Archives Bookshop ‘Book of the Month’
It would save much confusion if the new cover (with revised subtitle) was shown rather than that from the 2006 out of print version. Still, mustn’t complain as all publicity is good publicity….
I would welcome any other mentions of the book in any local newspapers, websites, bookshops etc.
N.B. Edit: 14 March – I was at Kew last week for a day’s research and spoke to the man in the bookshop, asking him who chose the ‘Book of the Month’. He replied that it was his choice and when I explained my involvement with the book we had a good chat. He was very complimentary about it and it was gratifying to hear his comments on content and quality.
Over the past few months I have been in touch with people at the Bristol Evening Post (whose stories also feature in the Western Daily Press and Bath Chronicle) after they ran the story about Alfred Flux’s graffiti in the Bouzincourt Caves on Armistice Day 2010. I had mentioned that the revised version of the Somme panorama volume was out in February and had arranged for a copy to be sent to them for review.
I have order tramadol visa just spent weekend away but was texted yesterday by a neighbour who congratulated me on the book being ‘Bristol Book of the Week’. Luckily she had saved me a copy of the review which is attached below. My thanks to Suzanne Savill for organsing this.
The Somme book review from the AllRight! section of the Bristol Evening Post dated 26 February 2011
Following the three week archaeological dig at Mametz last May I am pleased to report that a new exhibition is to open at the Historial, Peronne from 16 June 2011.
Below is the text from the flyer that has been produced. If you are on the Somme from June – December then please do visit the Historial for the chance to see this exhibition.
An exhibition that tells for the first time the story behind the Livens Large Gallery Flame Projector. Employed only ten times during the war – nine of which were on the Somme. The machine was 19 metres long, 40 centimetres wide, and weighed 2.5 tonnes. It was deployed from a tunnel beneath No Man’s Land by a specially-trained crew of seven, and fired a jet of flaming oil 100 metres long over the German trenches: the strangest, rarest and most horrifying weapon of the Great War.
In May 2010 historians and archaeologists excavated a section of the British trenches near the village of Mametz in search of the remains of a Flame Projector believed to have been buy cheap tramadol 100mg abandoned underground in late June 1916, just before the Battle of the Somme. The results were extraordinary, and for the first time for almost 100 years some of the original parts found in 2010 can be viewed alongside a specially-commissioned replica constructed by local students of vocational training centres.
A special screening of the film “Breathing Fire – Le Dragon de la Somme” will be shown at the opening of the exhibition, 16 June at 6pm.
A downloadable version of this flyer in pdf is available by clicking on the link below. Please feel free to disemminate this information to all your friends and battlefield visitors. It promises to be a terrific exhibition and for many will be the first chance to see parts of the Livens Flame Projector, buried in the Somme mud for 94 years.
Breathing Fire – Le Dragon de la Somme exhibition
Exact date of transmission of the version for UK television still to be determined. I will post this when I find out the date from the production company.
I use the tools supplied by WordPress and Google Analytics to follow how visitors reach my site. I am seeing a large number of visitors searching for details on the archaeological dig and accompanying television documentary programme that followed our search for any surviving pieces of a Livens Large Gallery Flame Projector at Mametz in May 2010. As the site was open to visitors and there was no ban on photos I don’t think it is breaking any great secret to reveal that we DID find pieces of this amazing weapon. It was 19 metres long, 40 centimetres wide and weighed 2.5 tonnes. Its specialised team of seven ensured it fired three ten second bursts of flame for up to 100 metres and, perhaps most remarkably, this was fired from a tunnel or ‘Russian Sap’ dug specially under No Man’s Land.
At present (14 February) there is no broadcast date available for the UK or North American market. In the UK the programme will be broadcast as a Channel 4 Time to order tramadol Team Special. As soon as I know the broadcast date I will post the details so please check back or follow me on Twitter to be kept up to date.
In the meantime, a couple of pictures.
Update – 13 April 2011.
The Time Team Special will be shown on Channel 4 at 9pm on 14 April. A detailed description of the birth, evolution and structure of the project along with maps and images is now available here:
The Projector site on a recce in September 2009. The old British front line runs through this shot. The village in the distance is Mametz.
What a difference nine months makes - our open day at the site which was attended by hundreds.
The revised and updated version of the 2006 Somme panorama book that I produced with Peter Barton is due out in the shops in February 2011. The official publication date is 24 February but I expect that copies will be available from the usual outlets a couple of weeks before then.
The Somme - The unseen panoramas by Peter Barton with Jeremy Banning (2011 version)
So, what is new?
The most obvious thing to note is that my name is on the cover this time and that the subtitle has changed from ‘a new panoramic perspective’ to ‘The unseen panoramas’. Other than that, text has been revised throughout and some pictures have been changed. There were elements of the 2006 version that we were not happy with and it is good that an opportunity has arisen to amend many of these parts. With every book you produce, there is inevitably a progression in the skills employed and understanding of what is required. I certainly found the Arras book easier to work on in the years 2008-10 than I did for the 2006 Somme version, but that is to be expected as in the intervening period we had produced the Passchendaele volume as well as my research on a couple of Richard van Emden’s books.
Some images have been replaced and, most notably, we have included a section of one of the most remarkable panoramas of the war – a German panorama taken on 18 August 1916 from a spot near Grevillers showing High Wood and Martinpuich under British bombardment. The undamaged tree-lined Albert-Bapaume runs right across the image. Many who have seen this panorama stand open mouthed – such is the effect of seeing what a Great War battlefield looked like.
Probably the most relevant inclusion to spring 2011 is the revision and addition to the section concerning the use of the Livens Large Gallery Flame Projector. We have added incredible pictures of the weapon in testing at Wembley and some shots from our successful archaeological dig at Mametz in May 2010 showing elements of what we found from the machine. I have seen the first rough cut of the ‘Breathing Fire’ TV documentary for worldwide distribution and it is looking very good. A version for a Channel 4 Time Team Special will be cut for the UK market and broadcast in the spring (exact date to be confirmed).
Should anyone have further questions about alterations to the book then please get in touch via the Contact page.
It has been reported in the Australian press (Sydney Morning Herald) that the body of an Australian soldier has been found on the Somme battlefield. The piece, entitled ‘Somme gives up the body of another Anzac’ dated 17 January tells of a the remains of a body being disturbed during digging for a drainage ditch near the infamous site of Mouquet Farm (also known as Moo Cow or Mucky Farm).
The site near Mouquet Farm where the Australian soldier's remains were found. Published online at http://www.smh.com.au/. Copyright Mike Bowers
The remains were excavated by local café owner Dominique Zanardi who was on site with the Mayor of Pozières. The report mentions that “there was no identity disc on the body, the soldier’s pistol holster is stamped “AUSTRALIA” and “WA””. I know I am not alone in advocating the involvement of qualified archaeologists using a professional approach. The issue of finding bodies on the battlefield has been going on for 90+ years but, following the precedent set by the dig at Fromelles, it is a very backward step to allow amateur excavation of these sites, however well intentioned the persons involved may be. The shocking pictures from the retrieval of fifteen British soldiers at Beauamps-Ligny are clear evidence of the need to employ professionals.
A follow-up piece entitled ‘Army moves to claim lost Digger‘ was published today which elaborates further on the next steps.
I have been researching certain members of this family after I spotted some graffiti of a Great War soldier, Bombardier Alfred Flux from Hambrook, whilst exploring caves under the church in Bouzincourt on the Somme in May last year. Whilst the caves were covered in graffiti from soldiers from all over the world I was intrigued by this local man and endeavoured to find out more about him.
Alfred Flux's graffiti in the caves under Bouzincourt Church
Full details of this can be found on the newspaper link below as the story was featured in the Armistice Day editions of the Bristol Evening Post, Western Daily Press and Bath Chronicle.
Alfred Flux
832011 Corporal Alfred Ernest Flux, serving with “Y” 61st Trench Mortar Battery, Royal Field Artillery was killed on 21 March 1918, aged 25. He was the son of Alfred William and Emily Flux, of Walton Farm, Hambrook, Bristol and is commemorated on the Pozières Memorial to the Missing.
The name of Alfred Flux on the Pozieres Memorial to the Missing
Alfred had served in 1916 in the Laventie area with involvement in the Battle of Fromelles on 19/20 July 1916 and stayed in this sector until his Division moved south to the Somme in mid-November 1916. The war diary says they were billeted in caves under Bouzincourt Church on 28 November and the graffiti is dated 30 November. The Battery stayed at Bouzincourt until January 1917 and then they went back for rest. February 1917 saw a move to Harbonnieres, south of the River Somme until May 1917. By June 1917 the battery was near Arras and then moved up to the Ypres sector where they were employed as stretcher bearers for the 38th (Welsh) Division in the Canal Bank sector on the first say of the Third Battle of Ypres (Passchendaele). They stayed in the salient until September when they moved back down to the Arras front, holding the dreaded Chemical Works and Greenland Hill sectors for the next two and half months. They then moved down to the Somme area and in January 1918 were ensconced in the Holnon Wood sector west of St Quentin. It was whilst holding these positions against the German Spring Offensive on 21 March 1918 that Alfred Flux was killed.
Alfred Flux's name on the Frenchay War Memorial
Since the article being released I have been in further touch with members of the Flux family, notably Judith Pike (who lives in Bristol) and Geoff Hedditch from Echuca, Victoria in Australia. I had done a fair bit of research into the family so knew that Alfred was one of a family of five children but Judith explained that Alfred’s younger brother, Francis Charles (but known as Charlie until his death at the ripe old age of 86 years) had also served as an artilleryman in the Great War. I volunteered to find out as much of his service as I could and was able to produce a detailed report for the family. Luckily, Charlie’s service record had survived and so I could piece together his service with 47 Brigade, RFA and then various Trench Mortar Batteries of the 19th Division. Other than suffering from dysentery in 1915 he appears to have been unwounded and was demobbed in February 1919.
I was both amazed and delighted by the huge amount of detail you have unearthed. Your information has opened up that era in a fascinating way I never expected to happen. I would like to say a big thank you for your diligence in researching my grandfather, and of course, initially finding out so much about his brother Alfred. Thank you for all you have done to bring real colour into our family history, and I want to wish you every success with your work as a researcher of the Great War. Judith Pike, Frenchay, Bristol
I was delighted to receive some post this morning from Geoff Hedditch in Australia. Enclosed in the envelope was a copy of his local newspaper, the Riverine Herald, which included an article about Geoff and his delight at the work I had done. I would like to thank Patrick, Judith and Geoff (all members of the Flux family) and Alan Freke and his fine colleagues at Frenchay Village Museum for their help. It just goes to show what a spark of interest coupled with a bit of determination can achieve – quite amazing that this story could travel all the way to Australia.
Please also remember the Flux boys themselves – Alfred and Charlie – who both answered their country’s call when needed and who, for one, paid the ultimate price.
Riverine Herald article from 3 January 2011 - Please click to ENLARGE