Posts Tagged ‘Mametz’


Earlier this month I finished an extraordinary week’s work at La Boisselle followed by four days guiding a group of writers around the Somme and Arras battlefields. Last year I had taken Vanessa Gebbie on a bespoke tour following in the footsteps of the 14th Battalion Welsh Regiment (Swansea Pals). She had been extolling the virtues of the battlefields ever since and had cajoled other writers to join her for a few days away.

Somme

After picking up my passengers and hire car in Lille we headed south to the Somme. Our first port of call was to the Glory Hole at La Boisselle where I was able to take my group underground. BBC News were covering our work on site that day and it was exciting to stand at the top of W Shaft and hear the filming taking place below for that night’s Six O’Clock News. Vanessa has written about this on her blog here. After a visit to the Lochnagar Crater we stopped at Becourt Military Cemetery and Norfolk Cemetery en route to our comfortable accommodation at Chavasse Farm, Hardecourt-aux-Bois.

“I can’t tell you what an amazing time I had on our trip. You are a natural – to call you either a historian or a tour guide is to miss the point entirely, I think. You brought it alive for us, you animated the land, the people, the history, in a way I don’t think I’ve ever experienced. There wasn’t one minute when you were talking where I was bored, where I zoned out. You made me want to know everything. And more than that, you inspired me to think about identity, nationality, what I might be prepared to die for.” Tania Hershman

The next day was spent on the Somme starting in the southern sector at the junction of British & French forces between Maricourt & Montauban. Stops that morning included Suzanne Communal Cemetery Extension to visit the graves of 18th Manchester Regiment men killed in May 1916 when German mortar fire blocked their mine shaft at Maricourt, the Carnoy crater field where I explained about the use of the Livens Large Gallery Flame Projector on 1 July 1916, Devonshire Cemetery at Mametz and then down to the impressive Red Dragon of the 38th (Welsh) Division Memorial at Mametz Wood. Despite heavy rain most of us had a walk up the slope from Death Valley to look at positions occupied by the 11th South Wales Borders and 16th Welsh in their unsuccessful 7 July attack on the Hammerhead.  After a coffee and change of clothes we headed back out. Stops included Guillemont Road Cemetery, High Wood and the Nine Brave Men (82 Field Company RE) memorial in Bazentin-le-Petit before lunch at Old Blighty Tea Rooms, La Boisselle.

Aveluy Communal Cemetery Extension

The remains of the afternoon was spent at Aveluy Communal Cemetery Extension, Mash Valley and the Thiepval Memorial to the Missing of the Somme before stopping at Flatiron Copse Cemetery, Mametz on our way back.

Over dinner that night I learnt one of my party had a relative with the 3rd Coldstream Guards who had been killed in the Battle of Flers-Courcelette on 15 September 1916. Our first stop the next morning was on the road between Ginchy and Lesboeufs to look at the starting positions for the attack. Guardsman Ernest Saye is commemorated on the Thiepval Memorial so there was a chance his remains were still lying in the fields before us.

Guards Memorial, Lesboeufs

We paid our respects at the Guards Division Memorial, Lesboeufs before a stop specifically requested by Vanessa at Morval British Cemetery. This quiet spot contains 38th (Welsh) Division casualties killed in the capture of Morval on 31 August/1 September 1918. After stops at the Cedric Dickens Cross and Delville Wood Cemetery & Memorial we headed north of the Roman Road to Thiepval to pick up where we had left off the previous day. Stops included the Ulster Tower Newfoundland Memorial Park, the Sunken Lane at Beaumont Hamel and then over the Redan Ridge for a picnic lunch in the majesty of at Serre Road Cemetery No.2 where the Somme part of our tour ended.

Serre Road Cemetery No.2 - our choice for a picnic lunch

Arras

En route north we stopped at Ayette Indian & Chinese Cemetery before arriving at Neuville-Vitasse Road Cemetery, Neuville-Vitasse where I set the scene for the Arras offensive. The elevated position offers a fine viewpoint from which to show the southern sector of the battlefield with Monchy-le-Preux, Henin Hill and the route of the Hindenburg Line clear to see.

Poring over maps of the Arras battlefield at Neuville-Vitasse Road Cemetery. Thanks to Vanessa Gebbie for her permission to use this image.

After a visit to Cojeul British Cemetery to pay our respects at the grave of two Victoria Cross winners, Private Horace Waller and Captain Arthur Henderson we headed up to the open windswept ground of Henin Hill where we had a good look around a surviving German ‘mebu’ concrete pillbox, part of the Hindenburg Line defences in the area. After repeatedly getting in and out of the car we were keen to stretch the legs and so took a walk to Heninel-Croisilles Road Cemetery where I read the poet Siegfried Sassoon’s account of being wounded nearby. We then walked down to Rookery Cemetery and Cuckoo Passage Cemetery.

Our next stop was on Wancourt Ridge outside Wancourt British Cemetery where I read John Glubb’s detailed account of the bridging work undertaken by 7 Field Company RE across the River Cojeul in the valley before us on 23-25 April 1917. The landscape is wonderfully easy to match up to Glubb’s descriptions and offers the chance to imagine the scene 95 years ago. Afterwards some of us walked up to the site of Wancourt Tower. Our final stop of the day was the rarely visited but rather beautiful Vis-en-Artois Memorial. One of our party Caroline had a relative commemorated on the panels. Percy Honeybill, 1st King’s Own (Royal Lancaster Regiment) was killed on 2 September 1918 attacking the Drocourt- Quéant defences.

Relief sculpture on the Vis-en-Artois Memorial

Our final day saw us head to Arras for a croissant and coffee breakfast in the Petite Place before a visit to the Arras Memorial to the Missing and Faubourg-d’Amiens Cemetery. We then headed out along the Arras-Cambrai road to find the spot between Guémappe and Cherisy where Third Army Panorama No.  556 was taken on 6 May 1917. Standing close to the spot where the image was taken it offers an ideal opportunity to visualise battlefield conditions in May 1917. Our next stop was at Kestrel Copse to see the new cross for Captain David Hirsch VC. We then headed north to Monchy-le-Preux where I explained the magnificent action which resulted in the capture of the village on 11 April 1917. One of our party’s grandfather had served in the Essex Yeomanry. I was able to show her Orange Hill and the fields which her grandfather would have galloped across on 11 April 1917. We then headed up Infantry Hill where I told of the disastrous Newfoundland and Essex Regiment attack on 14 April and the subsequent action by the “Men who saved Monchy”.

Captain Hirsch's replica cross at Kestrel Copse

Crossing the River Scarpe to Roeux, we visited the site of dreaded Chemical Works, now a benign Carrefour supermarket and garage. I always find it a pity that there is nothing on the site to show the ferocity of the fighting here in April and May 1917. Lunch was taken in Sunken Lane Cemetery at Fampoux (written about here by Vanessa Gebbie ). We discussed the terrible fighting for Roeux and the 11 April attack by the 2nd Seaforth Highlanders and 1st Royal Irish Fusiliers. After visiting Gavrelle we headed north to Vimy Ridge, visiting the trenches and Walter Allward’s masterpiece, the Vimy Memorial where we bumped into my brother Mark guiding a group. What a small place the battlefields are sometimes!  There followed an interesting journey back to Lille Europe station where the car was returned in a rather muddier state than it had been when picked up.

Vimy Memorial

My thanks to Vanessa, Tania, Zoe, Angela and Caroline for being such good company and making the trip such a delight. I am already planning the itinerary for 2013!

“Thank you is really an inadequate word to convey my feelings about the weekend. I still feel as if I’ve been to a different place and had my life changed. I’m not quite sure how you managed it but it felt as if you really took us back in time to 1914, 1916, 1917 and 1918 and that we were standing alongside the men waiting for the whistles to send them over the top and later dragging or rolling themselves back to the safety of their trenches. I thought I knew a bit about the First World War having done a history degree and having read the poetry. At an intellectual level I suppose I did know about the war but emotionally I had no idea what it was like for the men and that experience was what you gave us with the maps, the panoramas and all the stories. Over the last few days they lived and breathed again. It’s difficult to pick out my favourite moments as everything felt like a highlight. I can’t remember if it was Tania or Zoe who said they’d never before come across a guide who didn’t bore them for a second. Actually ‘guide’ isn’t the right word – the ‘expert’ comes closer but also the ‘enthusiast’ brimming over with things you wanted to share.” Caroline Davies

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Today sees the grand opening of the new exhibition about the Livens Large Gallery Flame Projector at the Historial in Péronne. I have taken a day out from a holiday and have just arrived in Péronne after three separate train journeys. The exhibition will commence with a few speeches and then the first screening of the “Breathing Fire – Le Dragon de la Somme” in French will be shown in two auditoriums. I understand from staff at the museum that usual attendances are about 80 people. That figure will be doubled tonight – we have 160 people coming along including many from the UK including representatives from the Corps of Royal Engineers.

I managed to get a few pictures earlier of the exhibition and, most notably, the specially-commissioned replica constructed by local students of vocational training centres. I will post an update later if time permits. Having worked on the project since its initial inception back in 2005/6 I am obviously a touch biased but, having had a good look at what has been produced and is on display, I can say that it looks fantastic and would urge any battlefield visitor to the Somme to take a look. The exhibition is currently scheduled to run to December 2011.

Further details can be found on the Historial’s website: http://en.historial.org/content/view/full/21046 and on my detailed blog post HERE.

EDIT: Evening went with a great success  – speeches followed by the unveiling of the replica flame projector and then a viewing of the Breathing Fire film with French subtitles. A great evening and wonderful to see so many people from all around the western front – Johan Vandewalle from Polygon Wood, Alain Jacques from the Arras archaelogical service, Philippe Gorczynski, owner of D51 Deborah from Cambrai and Isabelle and Pascal from the Carriere Wellington, Arras to name a few. Thanks to all for their support.

The replica flame projector made by local students - the monitor head is nearest the camera

The replica machine - the timber frame indicates the cramped nature of the tunnels (or Russian Saps) dug under No Man's Land

Valve found at Mametz in May 2010 in front of the replica flame projector

Three of the fourteen information panels on display

Over the past few days Channel 4 have been showing trails for Thursday’s Time Team Special entitled ‘The Somme’s Secret Weapon’  and I have seen hits on the various articles on my website rocketing. I am heartened by the interest, and having seen the longer two-hour version of the film at a special event on Monday night at the Royal School of Military Engineering at Chatham I am confident that the visual impact of the film will attract plenty more interest. It is surely one of the most intriguing – indeed almost unbelievable – stories of the war. I have noted that many people are searching for the location of the dig site and I thought it appropriate that interested parties should be aware of the birth, the evolution and the structure of the project.

Initial stages

The idea of searching for the flamethrower was first mooted in 2005 when Peter Barton and I were working on our Somme panorama book. The book, now revised and back in the shops, covers the battle in its entirety but includes a lengthy section on the extraordinary story of the use, mis-use and lack of use of a considerable network on shallow tunnels dug under No Man’s Land by Royal Engineer Tunnellers in preparation for the opening of the battle. They were known as Russian Saps.

The Somme - the unseen panoramas by Peter Barton with Jeremy Banning. Published by Constable & Robinson.

In certain sectors on 1 July 1916 they were not used to their full potential whilst in the southern part of the British line the tunnels, terminating close to the German front line and integral dugouts, contained a variety of schemes to neutralise the enemy. These included substantial mines to destroy strongpoints, smaller bored charges to blow in dugouts, manholes close to the German trenches for the swift deployment of attacking forces into the line, trench mortar positions and machine gun emplacements emanating from tunnels in the middle of No Man’s Land, and perhaps most amazingly, huge flamethrowers for firing 100-metre jets of burning oil across and along German positions. The idea was to create a complex mixture of surprise and terror that would materially assist the British infantry to cross No Man’s Land and capture the enemy front line in a less molested manner than normal. It was the flame-throwers, however – the Livens Large Gallery Flame Projector – that seized the imagination, especially as they have received such scant attention in the mountain of literature associated with the Somme.

The projectors were almost 20 metres long, weighed 2.5 tonnes, and required a 7-man crew. Their placement in a tunnel beneath No Man’s Land was to attain an effective firing pattern some 50 or 60 metres from the German lines, and of course to keep their existence secret until the very moment of firing.

The Livens Large Gallery Flame Projector being tested at Wembley. Copyright National Archives. Reproduced with permission from NA file MUN5/385.

We knew that four had been planned for use on Z-Day. Two were deployed successfully from tunnels just to the west of the Carnoy-Montauban road whilst another was damaged and unused. The machine that really caught our attention was the one that was to have been fired from Sap 14 at a position in the British line between Bois Francais and Mansel Copse on the 7th Division frontage.

Trench map of the Fricourt - Mametz area dated June 1916. The tiny blue dot marks the site of the start of Sap 14 which was to house the flamethrower.

British (blue) and German (red) trench lines overlaid on a modern IGN map. The route of Sap 14 is marked by the red triangles. Courtesy of Iain McHenry using Linesman

The Special Brigade war diary showed that on 28 June the machine had been brought up to the front line along a communication trench called 71st Street by a party of around 250 R.E. and Devons (8th or 9th Battalion) but that heavy shelling of the area meant the parts had to be dropped whilst the men took cover. The most important parts were then picked up by the R.E. and placed in the entrance to Sap 14 for safety. However, this inclined entrance tunnel was then hit by a heavy shell which sealed up the end of the sap for 20 feet, ‘burying vital parts of the flammenwerfer beyond recall’. [Special Sections RE War Diary – ref: WO95/122]

Extract from War Diary of Special Section RE for June 1916. Copyright National Archives. Reproduced with permission from NA file WO95/122.

Preparation

It was this tenuous but enticing line in the war diary that was the catalyst for the project. Peter Barton’s knowledge of how the R.E. worked and the sequence of events subsequent to 1st July, combined with our archival research persuaded him that some of those parts would not have been recovered. His relationship with Canadian television producers Cream Productions was already established as a result of previous documentary work and Cream agreed to take on this ambitious and indeed risky project. Peter then spent weeks travelling between the UK and the Somme for myriad meetings for permissions and logistics – far too much to catalogue here but his workload was prodigious and the entire project would not have been possible without this necessary but unglamorous work. On one of our first recces to the projector site we had a chance encounter with farmer Eric Delporte on whose land the old trenches and sap run through. After some initial scepticism he soon willingly gave use of his field free of charge, refusing any payment for ground rental or for lost crop yield on the basis that he owed it to the young British soldiers lying in the several nearby cemeteries. M. Delporte been the perfect host thereafter – a true gentleman and friend to us all.

Using trench maps and Linesman on one of our recces to the site. The village of Mametz lies in the low ground at top of image

To cut a very long story short, by spring 2010 the dates for the dig had been fixed – it would be the final three weeks of May. The project brief was to study Sap 14 and the nearby trenches, enter and survey the saps if possible, and to locate and recover parts of the 1916 Flame Projector if still in situ.

Map from war diary of 183 Tunnelling Company showing Mametz West secton. The flamethrower was to fire from the spur of Sap 14 on right of image. Image copyright National Archives. Reproduced with permission from NA file WO95/406.

The excavation was officially authorised by the French authorities and was under the archaeological control of Dr Tony Pollard and Dr Iain Banks of the Centre for Battlefield Archaeology, Glasgow University.  We received enormous and invaluable assistance from the Historial de la Grande Guerre, the Préfecture de la Région Picardie, the Conseil Générale de la Somme, M. Stéphane Brunel and the Mairie of Mametz, Mines Rescue, Bactec International and the Corps of Royal Engineers. Most touching was the response of local businesses. As a result of visits by Peter with Francois Bergez (at present the acting Director of the Historial) they sponsored fencing, portakabins, water bowsers, digging machines, portable toilets, etc – all free of charge.

Archival research

I had carried out extensive archival work in the year before the dig, not only investigating as many files as possible with regard to the production, testing and deployment of the Livens Large Gallery Flame Projectors for the start of the Somme offensive but also the use of Russian Saps along the entire British battle front. Our colleague Simon Jones added further invaluable information to the database. I also looked into the subsequent use of the flame projector in September 1916 at High Wood and in front of Guillemont. The object of this intensive work was to gain a detailed understanding of the use of the machine but also to try and unravel how and why decisions were made on the use of the saps. I compiled a 65-page report including any mention of the potential use of flame projectors and saps from war diaries ranging from Army level down through Corps, Division, Brigade and Battalion and, of course the Tunnelling and Field Companies of the RE.  Between Peter and I we spent months getting as well-versed in all matters subterranean as possible. Only by having this level of preparation did we feel prepared to start.

The dig – May 2010

The dig ran throughout May and was attended by hundreds of people – locals and battlefield visitors alike. The team adopted an ‘open house’ policy, and many people came to the site every day to watch our progress. On the second Saturday of the dig we had an official open day which was attended by several hundred people. Detailed presentations were given in French and English and we displayed many of the artefacts we had recovered. The results of the dig were spectacular and after three weeks solid work it was a tremendous feeling of privilege for us all to have worked on such a project and to have developed such close and ongoing links with many of the local people.

Finding out more

This post has been deliberately sparse with information on the dig itself for two reasons. Firstly, the international version of the film will not be aired until the autumn and therefore would not want to pre-empt this programme. Secondly, a huge amount of material will be on display in the forthcoming exhibition entitled ‘Breathing Fire – Le Dragon de la Somme’  to be held at the Historial at Peronne. This exhibition, curated by Peter, will incorporate a great deal of extra information, display the salvaged flamethrower parts, and (most surprising of all, perhaps) include a full-scale replica of the Livens machine. This is at present in the process of being built by metalwork students in Amiens. The exhibition will run from 16 June – 11 December 2011.  An academic report on the Mametz dig by Tony Pollard and Iain Banks will be available in the next edition of the Journal of Conflict Archaeology.

How the Royal Engineers were persuaded to build and fire a working full-size modern version the flame projector is another story….but we thank and salute them.

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I attended the premiere of the Breathing Fire documentary on last May’s search for the Livens Large Gallery Flame Projector at Mametz (Somme) last night at the home of the Royal Engineers – Brompton Barracks in Chatham. Many of the team involved came from all over the country and it was good to meet up again with them and to catch up with the officers, NCOs and sappers who had been such an integral part of the dig.

A replica flame projector stands between the marquees

The Corps had excelled themselves once again and three marquees had been erected to provide appropriate cover from the rather unwelcome showers that greeted us on arrival. These also housed the bar, tables and a good deal of information on the dig site including photographs and biographical details of Captain WH Livens and his various weapons of war. To add an authentic note to proceedings there were several serving soldiers kitted out in Great War period uniforms. The most impressive element was a small scale replica of the flame projector (approximately 12 ft long) which had been constructed in the square. Apparently it had been tested and could fire flame 30ft but this was (perhaps wisely) considered a bit of a risk with so many civilians around and so remained benign all night.

Even the showers could not dampen the evening

After canapés and bubbly we all made our way (via the red carpet) to the auditorium and after welcoming speeches we sat down to watch the long, international version of the ‘Breathing Fire’ film. A break was provided halfway through with time for ice-cream and then afterwards a curry supper was provided.

The auditorium during the ice cream break

As the film highlights the skills of the Royal Engineers – in 1914-18 and nowadays too – it was well received by all. The evening was held in aid of the Army Benevolent Fund and was a resounding success with approximately 250 people attending. My thanks to all of those personnel who were part of the project and yesterday evening – it has been a remarkable experience to have been involved.

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Update – 13 April 2011.

A detailed blog on the birth, evolution, research & structure of the Livens Flamethrower project with maps, plans and images can now be read here:

The Time Team Special dig at Mametz – the evolution and structure of the project behind the search for the Livens Large Gallery Flame Projector

After much delay and waiting I am pleased to finally announce that the Channel 4 Time Team Special on our archaeological dig for the Livens Flame Projector dig at Mametz, Somme is to be aired at 9pm on Thursday 14 April. The working title was ‘Breathing Fire’ but C4 appear to have retitled it ‘The Somme’s Secret Weapon’. Details can be found via this weblink:

http://www.channel4.com/programmes/time-team-specials/episode-guide/series-6/episode-2

It has been edited down to fill a one hour slot (9pm – 10pm) – a mere 48 minutes of actual programme. I have watched the rough cut of the 83 minute version (for History Television and the international audience) and I thought it moved at great pace. It will be interesting to see quite how the editing team have managed to keep the story whilst cutting so much footage.

I am looking forward to seeing the long version of the film at the premiere to be held at the Brompton Barracks, Chatham on the 11th April and will write my thoughts next week after the event.

As ever, television can only give a tiny piece of the information gleaned in the research process. A detailed explanation of the use of the Livens Large Gallery Flame Projector can be found at the exhibition to be held at the Historial, Peronne from 16 June – 11 December 2011. Details can also be found in the revised 2011 edition of our Somme panorama book.

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Following the three week archaeological dig at Mametz last May I am pleased to report that a new exhibition is to open at the Historial, Peronne from 16 June 2011.

Below is the text from the flyer that has been produced. If you are on the Somme from June – December then please do visit the Historial for the chance to see this exhibition.

An exhibition that tells for the first time the story behind the Livens Large Gallery Flame Projector. Employed only ten times during the war – nine of which were on the Somme. The machine was 19 metres long, 40 centimetres wide, and weighed 2.5 tonnes. It was deployed from a tunnel beneath No Man’s Land by a specially-trained crew of seven, and fired a jet of flaming oil 100 metres long over the German trenches: the strangest, rarest and most horrifying weapon of the Great War.

In May 2010 historians and archaeologists excavated a section of the British trenches near the village of Mametz in search of the remains of a Flame Projector believed to have been abandoned underground in late June 1916, just before the Battle of the Somme. The results were extraordinary, and for the first time for almost 100 years some of the original parts found in 2010 can be viewed alongside a specially-commissioned replica constructed by local students of vocational training centres.

A special screening of the film “Breathing Fire – Le Dragon de la Somme” will be shown at the opening of the exhibition, 16 June at 6pm.

A downloadable version of this flyer in pdf is available by clicking on the link below. Please feel free to disemminate this information to all your friends and battlefield visitors. It promises to be a terrific exhibition and for many will be the first chance to see parts of the Livens Flame Projector, buried in the Somme mud for 94 years.

Breathing Fire – Le Dragon de la Somme exhibition

Exact date of transmission of the version for UK television still to be determined. I will post this when I find out the date from the production company.

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I use the tools supplied by WordPress and Google Analytics to follow how visitors reach my site. I am seeing a large number of visitors searching for details on the archaeological dig and accompanying television documentary programme that followed our search for any surviving pieces of a Livens Large Gallery Flame Projector at Mametz in May 2010. As the site was open to visitors and there was no ban on photos I don’t think it is breaking any great secret to reveal that we DID find pieces of this amazing weapon. It was 19 metres long, 40 centimetres wide and weighed 2.5 tonnes. Its specialised team of seven ensured it fired three ten second bursts of flame for up to 100 metres and, perhaps most remarkably, this was fired from a tunnel or ‘Russian Sap’ dug specially under No Man’s Land.

At present (14 February) there is no broadcast date available for the UK or North American market. In the UK the programme will be broadcast as a Channel 4 Time Team Special. As soon as I know the broadcast date I will post the details so please check back or follow me on Twitter to be kept up to date.

In the meantime, a couple of pictures.

Update – 13 April 2011.

The Time Team Special will be shown on Channel 4 at 9pm on 14 April. A detailed description of the birth, evolution and structure of the project along with maps and images is now available here:

The Time Team Special dig at Mametz – the evolution and structure of the project behind the search for the Livens Large Gallery Flame Projector

The Projector site on a recce in September 2009. The old British front line runs through this shot. The village in the distance is Mametz.

What a difference nine months makes - our open day at the site which was attended by hundreds.

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The revised and updated version of the 2006 Somme panorama book that I produced with Peter Barton is due out in the shops in February 2011. The official publication date is 24 February but I expect that copies will be available from the usual outlets a couple of weeks before then.

The Somme - The unseen panoramas by Peter Barton with Jeremy Banning (2011 version)

So, what is new?

The most obvious thing to note is that my name is on the cover this time and that the subtitle has changed from ‘a new panoramic perspective’ to ‘The unseen panoramas’. Other than that, text has been revised throughout and some pictures have been changed. There were elements of the 2006 version that we were not happy with and it is good that an opportunity has arisen to amend many of these parts. With every book you produce, there is inevitably a progression in the skills employed and understanding of what is required. I certainly found the Arras book easier to work on in the years 2008-10 than I did for the 2006 Somme version, but that is to be expected as in the intervening period we had produced the Passchendaele volume as well as my research on a couple of Richard van Emden’s books.

Some images have been replaced and, most notably, we have included a section of one of the most remarkable panoramas of the war – a German panorama taken on 18 August 1916 from a spot near Grevillers showing High Wood and Martinpuich under British bombardment. The undamaged tree-lined Albert-Bapaume runs right across the image. Many who have seen this panorama stand open mouthed – such is the effect of seeing what a Great War battlefield looked like.

Probably the most relevant inclusion to spring 2011 is the revision and addition to the section concerning the use of the Livens Large Gallery Flame Projector. We have added incredible pictures of the weapon in testing at Wembley and some shots from our successful archaeological dig at Mametz in May 2010 showing elements of what we found from the machine. I have seen the first rough cut of the ‘Breathing Fire’ TV documentary for worldwide distribution and it is looking very good. A version for a Channel 4 Time Team Special will be cut for the UK market and broadcast in the spring (exact date to be confirmed).

Should anyone have further questions about alterations to the book then please get in touch via the Contact page.

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