Archive for the ‘Miscellany’ Category


I spoke at the Thames Valley Branch of the Western Front Association (WFA) last Thursday (28 April). When first approached I had to choose between speaking about the Livens Large Gallery Flame Projector on the Somme or the subject of our last book, The Battle of Arras. I opted for the latter, mainly because I figured that the Channel 4 Time Team programme would have been only shown a short time before and so many of those attending would know at least the gist of the story. So, Arras it was. The talk was to last for about an hour (as it was, I think I spoke for nearer 70 minutes) and so this necessitated a good deal of reading to refresh the memory. I prepared a PowerPoint presentation to illustrate some aspects of the talk and managed to get panoramas to slowly scroll across the screen too (a technical feat I was quite pleased with!)

The talk was entitled “The Battle of Arras: April – May 1917″ and was well attended with about 45 people regulars plus my brother Mark Banning and his friend and regular battlefield companion Malcolm Sime.

It was structured to not merely cover the battle but start with warfare in the Arras area in October 1914, look at the costly French actions of 1915 and then move on to British occupation in March 1916. The German attack against the 47th (London) Division on Vimy Ridge was touched upon and then I covered a basic backdrop to battle from the political and military standpoint and explained in detail the new German policy of ‘elastic defence’ to be brought into play for 1917. Moving through the Chantilly and Calais conferences I then spent some time on the German retreat to the Hindenburg Line (Operation Alberich) before exploring preparations for battle such as the tremendous work of the Royal Engineers. I also looked into French preparations, the actions of General Robert Nivelle and the extraordinary series of leaks and security lapses that marred the French pre-battle period. By this time half an hour had gone but I felt it important to set the scene fully and not merely delve straight into the battle itself.

I structured the actual battle part of the talk by focussing on the First and Third Army fronts from north to south, starting with the Canadian Corps attack on Vimy Ridge before moving into what I always think of the main ‘Arras proper’ battlefield. Realising that no talk about the Battle of the Somme would neglect to work its way down the front line for 1 July 1916 I adopted the same structure – following each division’s success (or failure) as we moved southwards across the Scarpe and Arras-Cambrai road into Hindenburg Line territory until ending with the 21st Division at the south of the attacking frontage. Explaining the reasons for success in many sectors and failure in others I then worked my way through the battle focussing on stand-out actions. These included the capture of Monchy-le-Preux on 11 April 1917 and the destruction of the cavalry of the Essex Yeomanry and 10th Hussars in the village.

I also covered the attack by two battalions of the 10th Brigade (4th Division) towards the village of Roeux and the Chemical Works. 1/Royal Irish Fusiliers and 2/Seaforth Highlanders suffered grievous losses in the attack; the Seaforths attacked with 12 officers & 420 Other Ranks and their losses were all 12 officers & 363 O.R. This meant that a mere 57 men survived the action unwounded – and the objective wasn’t gained in any way. The beautiful Seaforths Cross on the Sunken Lane at Fampoux is a reminder of the men who attacked and suffered so much that day. I touched on the fighting at Bullecourt that day but felt that the disastrous actions around that particular salient village warranted a talk of their own.

The next attack to be looked into was the attack up Infantry Hill by the Newfoundland Regiment and 1/Essex Regiment on 14 April 1917 – an attack that almost destroyed both battalions and which left the way open for the German reoccupation of Monchy. The day was saved by a gallant band of men led by Lt Col James Forbes Robertson, CO of the Newfoundlanders who organised a small group of men to run to eastern edge of village and open rifle fire. For five hours their fire held the Germans at bay until the village was relieved. All were decorated and became known as ‘The Men Who Saved Monchy’.

I then worked through the month of April, looking at the failed French attacks on the Aisne and then explaining the movements of 23 April (Second Battle of the Scarpe) with particular emphasis on the fighting for Roeux and the Chemical Works by the 51st (Highland) Division. The battle was deteriorating against well organised and deployed German troops employing the new ‘elastic defence’ doctrine. It was a dreadful time – Third Army suffered 8,000 casualties alone on the 23rd/24th April.

It seemed apt giving the talk on 28 April as I then touched on the attack that day 94 years ago and the capture of the village of Arleux. It was building to the climax of battle – the Third Battle of the Scarpe on 3 May 1917 – a very dark day indeed for the British Army. The 21km frontage from Fresnoy in the north to Bullecourt (again) in the south lent itself to particular problems. The Australians at Bullecourt wanted a night attack to aid their chances of success – in the north this would have been disastrous for the attack on Oppy Wood. A miserable compromise was reached and Zero Hour was set for 3.45am – the attack was still to go in at night time.  It was a terrible fiasco – many units were unable to even find their starting points and had no idea of direction to attack, merely following the direction of the artillery barrage with the hope of finding some Germans. Accounts mention morale being poor and a general malaise amongst the depleted attacking divisions. I read from the Official History: Military Operations France and Belgium 1917 by Cyril Falls as it summed up most eloquently the reasons for failure on 3 May 1917:

“The confusion caused by the darkness; the speed with which the German artillery opened fire; the manner in which it concentrated upon the British infantry, almost neglecting the artillery; the intensity of its fire, the heaviest that many an experienced soldier had ever witnessed, seemingly unchecked by British counter-battery fire and lasting almost without slackening for fifteen hours; the readiness with which the German infantry yielded to the first assault and the energy of its counter-attack; and, it must be added, the bewilderment of the British infantry on finding itself in the open and its inability to withstand any resolute counter-attack.”

I concluded with the finals stages of battle, the loss of Fresnoy and eventual capture of Roeux and the Chemical Works and for my last slide whilst talking about the men who had done the fighting I showed one of my favourite pictures. It shows a triumphant shot of a group of the 12/West Yorkshire Regiment in Arras celebrating their success of 9 April with captured booty. I was amazed when a man in the front put his hand up, saying he had spotted his grandfather in the photo! Apparently the only wartime souvenirs that his grandfather left were his medals and a copy of this photo. The man was 50496 Acting Corporal John Davison Johnson (marked with a red arrow in the photo) and I thank his grandson, John Johnson for this information – it quite made my night!

All feedback received has been good and the Branch Chairman, Bridgeen Fox, wrote very warmly afterwards with her thanks. Her comments can be read here. As she herself said, “it should have raised the profile of the battles of Arras and I hope it will have encouraged more people to explore the area”.

When I have some time I will write a blog piece with detail about the 3 May fighting. My thanks to Geoff Sullivan from the wonderful ‘Geoff’s Search Engine’ for furnishing me with some tremendous statistics for that day. If anyone is intersted in hearing this talk then please contact me. I am speaking on this subject in Bristol in October – see here for details. For those with an interest in the battle our panorama book on the subject is available here.  Alternatively, if you are interested in a battlefield tour to Arras then please contact me – I would be happy to discuss.

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I had been invited to attend the annual service of commemoration for the Battle of Arras at the Wellington Quarry and had written a blog piece about the impending service which had been picked up by the WFA for inclusion on their website. Sadly I was unable to attend due to family commitments but I have been sent images and details of the event by Isabelle Pilarowski of the Wellington Quarry. The service is held at 0630hrs on 9 April each year. The early start is due to the start of battle in 1917 – Zero Hour was 5.30am. It is a gathering of people who want to pay their respects for the men involved in the huge British offensive at Arras in April and May 1917. So often overshadowed by the Battles of the Somme and Passchendaele, Arras stands as one of the three major British offensives of the war.

I have a huge soft spot for the place, as a battlefield and a superb town to visit, and enjoy the quiet surroundings without the hordes of coaches and resulting pilgrims that can often be seen in some of the more popular battlefield stops on the western front.

Isabelle tells me that the service went very well and that it was well attended by officials and visitors alike. Attendees included the Mayor, the Préfet, the Ambassador of New Zealand, representatives from Australia and Canada [denoting their countries role in the Battle – at Bullecourt and Vimy] as well as members from other French and British associations.

Of particular interest to me was the inclusion of extracts from the wonderful memoirs of Percy Clare, 7th East Surrey Regiment. As part of the 12th (Eastern)  Division his battalion attacked up Observation Ridge on the first day of battle. After a rest in the middle of April the battalion was back in the line for the disastrous attacks of 3 May 1917 (Third Battle of the Scarpe) – 94 years ago today. The day is one of the blackest days for the British Army in the Great War and was a hideous muddle from its inception to its execution. Over 5,900 men were killed that day as the attack was repulsed with ease along the vast majority of the Thurd Army front.  Very kindly the copyright holder, Rachel Gray, had let me copy a set of Percy’s memoirs for donation to the Wellington Quarry. They are probably the finest account extant of the battle and were quoted through the service. The service also included a reading of the poem ‘The Owl’ by Edward Thomas. He was killed on the morning of 9 April 1917 by a shell blast and is buried in Agny Military Cemetery:

For further details of Percy Clare please see this blog piece or consult our book Arras: The Spring 1917 Offensive in Panoramas Including Vimy Ridge and Bullecourt

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I had a few much-needed days rest with the family at a cottage in Devon last week. We were blessed with beautiful weather and a good time was had by all. Most importantly I came back rested and restored after a busy time over the past few months.

I had wanted to visit Plymouth, my old university city, for some time, not only to see how it looked nowadays but to go to The Hoe and visit the Plymouth Naval War Memorial. I can well remember the memorial from my student days but gave it little thought back then. Twenty years older and perhaps a little wiser I wanted to pay my respects at the name of one man whose story I had looked into – Able Seaman Daniel Collins. Daniel was the younger brother of Thomas Collins, the man Sapper William Hackett refused to leave 40 feet below the fields of Givenchy – an act for which Hackett was awarded a posthumous Victoria Cross. He was the only tunneller ever to receive the award and he and Thomas Collins lie there still.

Plymouth Naval Memorial

Text on Plymouth Naval Memorial

Able Seaman Daniel Collins, RNVR was killed on 26 February 1918 on “SS Greavesash”, a merchant steamer which was torpedoed without warning by German submarine UB-74 and sunk off the Normandy coast. Daniel was one of eight crew who were killed that day. Whilst visiting Thomas and Daniel’s nephew, John Abraham back in March 2010 I had been struck by the loss of the two eldest Collins boys in the war and could only imagine the effect that this had on the family.

1918 RNVR panel on Plymouth Naval Memorial

The memorial is very imposing and is situated centrally on The Hoe overlooking Plymouth Sound. It commemorates 7,251 sailors of the First World War and 15,933 of the Second World War. The panels bearing the rank and names of sailors who were lost at sea are organized by date so I had to walk around the entire memorial from 1914 through to 1918 until I came to Panel 29 which contained the names of officers and men of the Royal Naval Volunteer Reserve. The names, as per the various Memorials to the Missing on the Western Front are organised by rank and it was to the bottom right of the panel that I spotted the men who had the rank of Able Seaman; the third name down was “COLLINS D.”

Able Seaman Daniel Collins, RNVR – like your brother Thomas, gone but not forgotten.

Close up of Able Seaman Daniel Collins' name on Plymouth Naval Memorial

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Over the past few days Channel 4 have been showing trails for Thursday’s Time Team Special entitled ‘The Somme’s Secret Weapon’  and I have seen hits on the various articles on my website rocketing. I am heartened by the interest, and having seen the longer two-hour version of the film at a special event on Monday night at the Royal School of Military Engineering at Chatham I am confident that the visual impact of the film will attract plenty more interest. It is surely one of the most intriguing – indeed almost unbelievable – stories of the war. I have noted that many people are searching for the location of the dig site and I thought it appropriate that interested parties should be aware of the birth, the evolution and the structure of the project.

Initial stages

The idea of searching for the flamethrower was first mooted in 2005 when Peter Barton and I were working on our Somme panorama book. The book, now revised and back in the shops, covers the battle in its entirety but includes a lengthy section on the extraordinary story of the use, mis-use and lack of use of a considerable network on shallow tunnels dug under No Man’s Land by Royal Engineer Tunnellers in preparation for the opening of the battle. They were known as Russian Saps.

The Somme - the unseen panoramas by Peter Barton with Jeremy Banning. Published by Constable & Robinson.

In certain sectors on 1 July 1916 they were not used to their full potential whilst in the southern part of the British line the tunnels, terminating close to the German front line and integral dugouts, contained a variety of schemes to neutralise the enemy. These included substantial mines to destroy strongpoints, smaller bored charges to blow in dugouts, manholes close to the German trenches for the swift deployment of attacking forces into the line, trench mortar positions and machine gun emplacements emanating from tunnels in the middle of No Man’s Land, and perhaps most amazingly, huge flamethrowers for firing 100-metre jets of burning oil across and along German positions. The idea was to create a complex mixture of surprise and terror that would materially assist the British infantry to cross No Man’s Land and capture the enemy front line in a less molested manner than normal. It was the flame-throwers, however – the Livens Large Gallery Flame Projector – that seized the imagination, especially as they have received such scant attention in the mountain of literature associated with the Somme.

The projectors were almost 20 metres long, weighed 2.5 tonnes, and required a 7-man crew. Their placement in a tunnel beneath No Man’s Land was to attain an effective firing pattern some 50 or 60 metres from the German lines, and of course to keep their existence secret until the very moment of firing.

The Livens Large Gallery Flame Projector being tested at Wembley. Copyright National Archives. Reproduced with permission from NA file MUN5/385.

We knew that four had been planned for use on Z-Day. Two were deployed successfully from tunnels just to the west of the Carnoy-Montauban road whilst another was damaged and unused. The machine that really caught our attention was the one that was to have been fired from Sap 14 at a position in the British line between Bois Francais and Mansel Copse on the 7th Division frontage.

Trench map of the Fricourt - Mametz area dated June 1916. The tiny blue dot marks the site of the start of Sap 14 which was to house the flamethrower.

British (blue) and German (red) trench lines overlaid on a modern IGN map. The route of Sap 14 is marked by the red triangles. Courtesy of Iain McHenry using Linesman

The Special Brigade war diary showed that on 28 June the machine had been brought up to the front line along a communication trench called 71st Street by a party of around 250 R.E. and Devons (8th or 9th Battalion) but that heavy shelling of the area meant the parts had to be dropped whilst the men took cover. The most important parts were then picked up by the R.E. and placed in the entrance to Sap 14 for safety. However, this inclined entrance tunnel was then hit by a heavy shell which sealed up the end of the sap for 20 feet, ‘burying vital parts of the flammenwerfer beyond recall’. [Special Sections RE War Diary – ref: WO95/122]

Extract from War Diary of Special Section RE for June 1916. Copyright National Archives. Reproduced with permission from NA file WO95/122.

Preparation

It was this tenuous but enticing line in the war diary that was the catalyst for the project. Peter Barton’s knowledge of how the R.E. worked and the sequence of events subsequent to 1st July, combined with our archival research persuaded him that some of those parts would not have been recovered. His relationship with Canadian television producers Cream Productions was already established as a result of previous documentary work and Cream agreed to take on this ambitious and indeed risky project. Peter then spent weeks travelling between the UK and the Somme for myriad meetings for permissions and logistics – far too much to catalogue here but his workload was prodigious and the entire project would not have been possible without this necessary but unglamorous work. On one of our first recces to the projector site we had a chance encounter with farmer Eric Delporte on whose land the old trenches and sap run through. After some initial scepticism he soon willingly gave use of his field free of charge, refusing any payment for ground rental or for lost crop yield on the basis that he owed it to the young British soldiers lying in the several nearby cemeteries. M. Delporte been the perfect host thereafter – a true gentleman and friend to us all.

Using trench maps and Linesman on one of our recces to the site. The village of Mametz lies in the low ground at top of image

To cut a very long story short, by spring 2010 the dates for the dig had been fixed – it would be the final three weeks of May. The project brief was to study Sap 14 and the nearby trenches, enter and survey the saps if possible, and to locate and recover parts of the 1916 Flame Projector if still in situ.

Map from war diary of 183 Tunnelling Company showing Mametz West secton. The flamethrower was to fire from the spur of Sap 14 on right of image. Image copyright National Archives. Reproduced with permission from NA file WO95/406.

The excavation was officially authorised by the French authorities and was under the archaeological control of Dr Tony Pollard and Dr Iain Banks of the Centre for Battlefield Archaeology, Glasgow University.  We received enormous and invaluable assistance from the Historial de la Grande Guerre, the Préfecture de la Région Picardie, the Conseil Générale de la Somme, M. Stéphane Brunel and the Mairie of Mametz, Mines Rescue, Bactec International and the Corps of Royal Engineers. Most touching was the response of local businesses. As a result of visits by Peter with Francois Bergez (at present the acting Director of the Historial) they sponsored fencing, portakabins, water bowsers, digging machines, portable toilets, etc – all free of charge.

Archival research

I had carried out extensive archival work in the year before the dig, not only investigating as many files as possible with regard to the production, testing and deployment of the Livens Large Gallery Flame Projectors for the start of the Somme offensive but also the use of Russian Saps along the entire British battle front. Our colleague Simon Jones added further invaluable information to the database. I also looked into the subsequent use of the flame projector in September 1916 at High Wood and in front of Guillemont. The object of this intensive work was to gain a detailed understanding of the use of the machine but also to try and unravel how and why decisions were made on the use of the saps. I compiled a 65-page report including any mention of the potential use of flame projectors and saps from war diaries ranging from Army level down through Corps, Division, Brigade and Battalion and, of course the Tunnelling and Field Companies of the RE.  Between Peter and I we spent months getting as well-versed in all matters subterranean as possible. Only by having this level of preparation did we feel prepared to start.

The dig – May 2010

The dig ran throughout May and was attended by hundreds of people – locals and battlefield visitors alike. The team adopted an ‘open house’ policy, and many people came to the site every day to watch our progress. On the second Saturday of the dig we had an official open day which was attended by several hundred people. Detailed presentations were given in French and English and we displayed many of the artefacts we had recovered. The results of the dig were spectacular and after three weeks solid work it was a tremendous feeling of privilege for us all to have worked on such a project and to have developed such close and ongoing links with many of the local people.

Finding out more

This post has been deliberately sparse with information on the dig itself for two reasons. Firstly, the international version of the film will not be aired until the autumn and therefore would not want to pre-empt this programme. Secondly, a huge amount of material will be on display in the forthcoming exhibition entitled ‘Breathing Fire – Le Dragon de la Somme’  to be held at the Historial at Peronne. This exhibition, curated by Peter, will incorporate a great deal of extra information, display the salvaged flamethrower parts, and (most surprising of all, perhaps) include a full-scale replica of the Livens machine. This is at present in the process of being built by metalwork students in Amiens. The exhibition will run from 16 June – 11 December 2011.  An academic report on the Mametz dig by Tony Pollard and Iain Banks will be available in the next edition of the Journal of Conflict Archaeology.

How the Royal Engineers were persuaded to build and fire a working full-size modern version the flame projector is another story….but we thank and salute them.

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I attended the premiere of the Breathing Fire documentary on last May’s search for the Livens Large Gallery Flame Projector at Mametz (Somme) last night at the home of the Royal Engineers – Brompton Barracks in Chatham. Many of the team involved came from all over the country and it was good to meet up again with them and to catch up with the officers, NCOs and sappers who had been such an integral part of the dig.

A replica flame projector stands between the marquees

The Corps had excelled themselves once again and three marquees had been erected to provide appropriate cover from the rather unwelcome showers that greeted us on arrival. These also housed the bar, tables and a good deal of information on the dig site including photographs and biographical details of Captain WH Livens and his various weapons of war. To add an authentic note to proceedings there were several serving soldiers kitted out in Great War period uniforms. The most impressive element was a small scale replica of the flame projector (approximately 12 ft long) which had been constructed in the square. Apparently it had been tested and could fire flame 30ft but this was (perhaps wisely) considered a bit of a risk with so many civilians around and so remained benign all night.

Even the showers could not dampen the evening

After canapés and bubbly we all made our way (via the red carpet) to the auditorium and after welcoming speeches we sat down to watch the long, international version of the ‘Breathing Fire’ film. A break was provided halfway through with time for ice-cream and then afterwards a curry supper was provided.

The auditorium during the ice cream break

As the film highlights the skills of the Royal Engineers – in 1914-18 and nowadays too – it was well received by all. The evening was held in aid of the Army Benevolent Fund and was a resounding success with approximately 250 people attending. My thanks to all of those personnel who were part of the project and yesterday evening – it has been a remarkable experience to have been involved.

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A quick update from the remarkable story of the identification of Private Thomas Lawless, 49th Battalion CEF. One of the key pointers in identifying the human remains found at Avion as belonging to Thomas Lawless concerned the portrait facial construction undertaken by renowned sculptor Christian Corbet.

1 April saw the first official public unveiling of the portrait reconstruction to a full house at the local armoury. The event was hosted by a local museum and supported by the 2nd Newfoundland Regiment. The event commenced with several letters from parliamentarians and even one from the family itself.

Letter from the Prime Minister on the unveiling of Thomas Lawless's portrait

This was then followed by a short Power Point lecture given by Christian Corbet on his role in the identification process which was well received.

Letter from Government of Newfoundland and Canada

There has been an enormous amount of interest generated by this story and it clearly shows the fascination with and the desire to honour the fallen of the Great War.  As an addenda to this blog I have today (12 April) received a link to an excellent blog by sculptor Christian Corbet which details his part in the ID process. Please click on Identifying a WW1 Soldier to read it.

Cadets pose with the portrait of Pte Thomas Lawless and sculptor Christian Corbet

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This morning I received my invitation to the ANZAC Day services at Villers-Bretonneux and Bullecourt on 25 April. Sadly, I am unable to attend this year and have let the relevant authorities know but know that my brother, Mark Banning of MGB Battlefield Tours fame, is attending the service at VB and he always says it is a well run and attended event.

Further details about the event can be found by visiting the ANZAC France Somme official website. http://www.anzac-france.com/

ANZAC Day 2008 at Villers Bretonneux from the air

Details on ANZAC Day and its history with interesting comments on the current relevance of the day to a new generation of Australians and New Zealanders can be found on Wikipedia: http://en.wikipedia.org/wiki/Anzac_Day

Digger Memorial at Bullecourt. Image courtesy of http://www.webmatters.net/

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Update – 13 April 2011.

A detailed blog on the birth, evolution, research & structure of the Livens Flamethrower project with maps, plans and images can now be read here:

The Time Team Special dig at Mametz – the evolution and structure of the project behind the search for the Livens Large Gallery Flame Projector

After much delay and waiting I am pleased to finally announce that the Channel 4 Time Team Special on our archaeological dig for the Livens Flame Projector dig at Mametz, Somme is to be aired at 9pm on Thursday 14 April. The working title was ‘Breathing Fire’ but C4 appear to have retitled it ‘The Somme’s Secret Weapon’. Details can be found via this weblink:

http://www.channel4.com/programmes/time-team-specials/episode-guide/series-6/episode-2

It has been edited down to fill a one hour slot (9pm – 10pm) – a mere 48 minutes of actual programme. I have watched the rough cut of the 83 minute version (for History Television and the international audience) and I thought it moved at great pace. It will be interesting to see quite how the editing team have managed to keep the story whilst cutting so much footage.

I am looking forward to seeing the long version of the film at the premiere to be held at the Brompton Barracks, Chatham on the 11th April and will write my thoughts next week after the event.

As ever, television can only give a tiny piece of the information gleaned in the research process. A detailed explanation of the use of the Livens Large Gallery Flame Projector can be found at the exhibition to be held at the Historial, Peronne from 16 June – 11 December 2011. Details can also be found in the revised 2011 edition of our Somme panorama book.

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I was very pleased to receive my invitation to the premiere screening of the ‘Breathing Fire’ documentary on the Livens Large Gallery Flame Projector. This event, held by the Corps of Royal Engineers, will take place at the Brompton Barracks, Chatham on 11 April and will be held in aid of the Army Benevolent Fund. I know that a large number of us who were involved in the project are attending and it will be great to see the final edit on the big screen – the result of much work and dedication from a large number of people. Quite what version will be shown is unknown but I presume it is the longer version made for History Television.

I am very much looking forward to seeing Tony & Iain from the Centre for Battlefield Archaeology, Brian and his colleagues at Bactec, the expert EOD & landmine clearance company who did so much for us throughout the project and, of course, the sappers of the Royal Engineers we had the pleasure to work with.

A broadcast date for the UK market (this will be a Time Team Special on Channel 4) is still not known for definite. I will post this as soon as I have the necessary details.

Details of the upcoming museum exhibition at the Historial, Peronne can be found on this blog piece HERE.

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I was contacted by the Canadian Portrait Academy (CPA) when I first wrote a blog entry on the positive identification of Thomas Lawless. I initially saw news of this via my Twitter feed and realised what a good news story it was. I like to keep tabs on ‘news from the front’ and knew that this story fitted the bill perfectly. Little did I know the interest it would generate. Since that first post I have been heartened by the enthusiasm and generosity of those involved in the process to share their time and material so willingly.

The CPA have been wonderful in keeping me up to date with events and, through them, I have made contact with Christian Corbet, the sculptor who worked as the Forensic Artist with the Department of National Defence and others to reconstruct a likeness of Thomas Lawless.

Facial reconstruction of Thomas Lawless 1, Copyright by Permission of Christian Corbet

Mr Corbet has kindly agreed to let me post images of his work on the facial reconstruction process. These photos are copyright and reproduced by kind permission of Christian Corbet.  They show a few of the stages in the reconstruction process and are clear evidence of the levels of technical quality employed.

Facial reconstruction of Thomas Lawless 2 - Profile, Copyright by Permission of Christian Corbet

Facial reconstruction of Thomas Lawless 4 - muscles are placed on the skull, Copyright by Permission of Christian Corbet

Facial reconstruction of Thomas Lawless 5, Copyright by Permission of Christian Corbet

The facial reconstruction procedure was the initial stage in the identification process and the end result (the sculpture) was used by Dr Andrew Nelson of the University of Western Ontario for computer superimpositions in order to identify the subject. Dr Nelson began his work on this particular identification process in 2007. The condition of the remains meant that Dr Nelson reconstructed the bony part of the midface in epoxy resin and a computer model of the skull was then made. A three dimensional print using bone fragments and photographic superimposition (for the midface) was then created.

Christian Corbet working on the near-finished facial reconstruction of Thomas Lawless

This gave Christian Corbet the base to work from for a forensic reconstruction of the face (as shown in the photographs).  The team had photos of all the proposed subjects and so a comparison could be made between the sculpture and photos. By eliminating those whose facial characteristics did not match, the shortlist was reduced to two soldiers – one from Cape Breton and the other from Ireland. It was at this stage that that Dr. Nelson suggested isotope analysis – the method by which the Irishman, Thomas Lawless was eventually identified. As Christian Corbet wrote to me, this multidisciplinary collaborative project is said to be a first of its kind in identifying a soldier of the Great War. I think that it is the model for future studies and shows what can be done with available resources, time and skilled personnel.

Mr Corbet’s protégé Benjamin Trickett Mercer told me that the 3-dimensional sculpture of Thomas Lawless took approximately 5 days to complete. It is estimated that approximately 25 – 30 hours were spent on finishing the formal portrait. Help regarding the accoutrements of a Great War soldier were provided by the costume department of the Canadian War Museum. This ensured that the correct regimental badges could be sculpted. They even assisted in the providing the essential but easily overlooked measurements for the size of the soft cap.

Burial – 15 March 2011

Mr Corbet and Benjamin Trickett Mercer attended the burial service on 15 March 2011. Mr Corbet had the honour to place flowers on the grave of Thomas Lawless on behalf of the Province of Newfoundland and Labrador.

Christian Corbet and his protégé Benjamin Trickett Mercer pointing to the name of Thomas Lawless at the Vimy Memorial. Copyright by Permission of Christian Corbet

On the same note, I received a Press Release earlier from the CPA. It is shown below in italics along with the photograph.

Newfoundland and Labrador Presents Floral Tribute to Fallen WWI Soldier

Avion, France – In an act of respect the province of Newfoundland and Labrador paid homage with a floral bouquet at the burial of Pte. Thomas Lawless on 15th March in Avion, France.

Premier Dunderdale granted permission to Christian Corbet an Academician of the Canadian Portrait Academy to lay flowers of white lilies and red roses upon the grave of Pte. Lawless. Pte. Lawless’ fought at the Battle of Vimy Ridge and his identity was recently released after he went missing in action in June 1917.

This floral tribute was the only one presented from a province or territory from Canada.

Christian Corbet who worked as the Forensic Artist with the Department of National Defence among other institutions in order help identify the remains of the World War I soldier stated “This bouquet of flowers was Newfoundland and Labradors way of saying “Thank You for laying your life down for the freedom we so often take for grated today.” The Irish descendants of Pte. Thomas Lawless were greatly appreciative and grateful for such a kind gesture.”

Christian Corbet presented a floral tribute to fallen WWI soldier on behalf of the Province of Newfoundland and Labrador at La Chaudiere Military Cemetery, France. Photo Credit: Benjamin Trickett Mercer, CPA.

For more information on the burial: http://www.cmp-cpm.forces.gc.ca/dhh-dhp/adh-sdh/news-nouvelle-eng.asp

Please find below some more photos of the burial service, courtesy of Christian Corbet.

The coffin of Thomas Lawless is carried into the church of Saint-Martin de Vimy. Copyright by Permission of Christian Corbet

Canadian armed forces and standard bearers at the funeral service of Thomas Lawless. Copyright by Permission of Christian Corbet

Thomas Lawless's coffin is carried to his grave at La Chaudiere Military Cemetery, Vimy. Copyright by Permission of Christian Corbet

Thomas Lawless's coffin is carried past French standard bearers. Copyright by Permission of Christian Corbet

I would welcome any comments you have on the subject.

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